Phish.net is a non-commercial project run by Phish fans and for Phish fans under the auspices of the all-volunteer, non-profit Mockingbird Foundation.
This project serves to compile, preserve, and protect encyclopedic information about Phish and their music.
Credits | Terms Of Use | Legal | DMCA
The Mockingbird Foundation is a non-profit organization founded by Phish fans in 1996 to generate charitable proceeds from the Phish community.
And since we're entirely volunteer – with no office, salaries, or paid staff – administrative costs are less than 2% of revenues! So far, we've distributed over $2 million to support music education for children – hundreds of grants in all 50 states, with more on the way.
Review by meanpete
what really jumped out for me was the confidence of theyre playing. the vocals in the free chorus were strong as ever (the FREEEEEE! is what drives that song home). roses went type 2 for the first time since what, cypress, that patience is rare for a 3rd song in. julius settled into a playful muted groove, as did the gin, a slow, funky reading that steadily picked up steam and threatened to hose (a little ripcord at the end, but i was satisfied).
dwd went type 2 and was allowed to explore its space before settling into sand. the sand jam went beyond its normal boundaries, with some key changes, and the most well executed segue ive ever seen into nellie cane.
but the undisputed centerpiece of this show was a raging mikes song. best of 3.0. by 2001, the band was just showing off.
outstanding run, type 2 jams all over, and some flat out cocky playing. cant wait to listed t..o this tour unfold.