Fresh off their ascension to new peaks in the land of “Rocky Top,” the band and their pillaging H.O.R.D.E. of wooks, rail-riders, and spunions made the “555” mile trip northwest to lay siege to the turreted castle walls of Kansas City’s Starlight Theatre for a second time. Whereas the initial Phish foray (8/22/12) into this historic artisan’s citadel may only be noteworthy for an average great show replete with solid but otherwise unremarkable takes on a number of repertoire favorites, the most recent performance of “Skin It Back,” some Todd Akin mockery and a “Stairway to Heaven” tease in “Suzy Greenberg,” last night’s show in contrast was a monumentally stellar experience which continued the upward trend that has largely defined the summer 2015 campaign.
Photo by Rene Huemer © Phish From the Road
At least that’s what I wanted to be able to say this morning. But you know, sometimes reality bites and the endeavor takes a few steps back. Don’t get me wrong, this was as always, a Phish show, which is pretty damn awesome all things reconsidered… even if the song selection may be a little repetitive at this stage of the tour and a few of the numbers fell flat. Thankfully there were still a few flashes of brilliance on which I would be happy to ejaculate, so let’s get down (with disease) and wallow in the mire.
Following a THEY ATTACK! quote of “The Birds,” the first set gets underway with a well-spiced serving of “Gumbo” that Page kept bubbling and Trey gave a good stir with his thick wooden spoon. During the tasty but far too brief clavinet outro, Fishman starts playing around with a “Dogs Stole Things” (no wait “Mound”) backbeat but that idea unfortunately drops into a future stream of consciousness and cascades over the ledge into “Kill Devil Falls.” After that Hotlanta monster, there is nothing much to say about this third version of the tour other than it had high energy and a strong groovy beat that one could dance to. “Back on the Train” gave us the second repeat from the first night of Lakewood in as many songs. Like its predecessor it was a typical lively first set rendition travelling through some pleasant but generally familiar scenery. As the train nears the station some of the second set begins to bleed back through the wormhole but it quickly slams shut, leaving us “Bouncing Around the Room.” Just once… I wish the boys would smash this one open and inspect the gooey entrails that lie within… don’t you?
Photo by Rene Huemer © Phish From the Road
As our star’s light faded from the heavens above the Starlight, it was time to admire our “Divided Sky” in all it’s gloriously peaceful serenity. You know how there are those moments when you gaze upwards and your breath is taken away by what you see? This wasn’t one of those majestic cerulean visions by any means… but it wasn’t hail and brimstone either. That came next. Though certainly interesting and new as far as the music goes, the Phish debut of Mike Gordon’s “The Last Step” suffers the same vocal agony as “Snow” did on 10/31/13. Here again I think the notes being played are pretty outstanding. This would be a great instrumental. Mike’s pipes just don’t do his words justice. The fifth “Blaze On” of summer 2015 follows allowing it to ease in front of “No Men in No Man’s Land” in the race for most played new song. I love both of these songs of course… but what the hell happened to “Mercury” and when will it leave the retrograde phase?
The answer to that question comes immediately and it seems I will be “Waiting All Night” for the winged messenger to return. We will also continue to wait for something ear-popping to happen with this frequently played Fuego track. I really believe it has a lot of potential to go off the deep end into some thickly textured soaring ambience, but has yet to do such a thing. Please take it for a ride some day, guys. The set closes with a short but muscular “46 Days” and thereby seals this one’s fate as nothing special as far as summer 2015 opening frames go. The problem with raising the bar is that sometimes you smash your junk on it the next time you try to jump over.
Photo © @tweeprise
“Gotta Jibboo” trots out for the second half and shanks a short pooch kick to the up-back on the hands team. No return to be had on this one. The same must be said for the far too concise “Twist” that followed, unfortunately. This version gets dark and sinister for a few minutes, shows flashes of the brilliance it has displayed earlier in the tour (see Shoreline), but then gets ripped from our greedy clutches far too soon. So far this second set is feeling like a second first set. I guess it is all about mass balance. When some shows are so jam heavy, others have to be jam light to keep the galaxy’s spiral arms in place. “The Wedge” follows in the mid-second set slot it occupied most recently during the first night at the Les Schwab Amphitheater in Bend. In keeping with this similar setlist placement, it contains a synonymous “Stash” tease and does little in the way of architectural achievement as far as the show structure is concerned. I’m sure the dude that was throwing down in front of me in Bend was loving it as always!
Starlight’s star blight to the rescue! A blight, you see, is a plant disease, one that is typically caused by fungi such as mildews, rusts, and smuts. This show had ample infestations of rust, mildew, and smut before we came “Down with Disease” if you know what I’m saying. The latest offering in the 20+ minute jams of summer 2015 is another winner. The jam engages as a lush cerebral groove that veers towards “What’s the Use?” space via “Wingsuit” briefly revisits “Piper” asks “How Many People Are You?” then builds patiently toward a steep yet truncated peak that pierces the bulk and allows a glimpse into the infinite quietude of deep space before the drop into “Sand.” Slinky groove, dimensional flanging, gravitational fuzz rock firestorm, give me this sound all day… or at least more than eight minutes… seriously more of that!
Photo © @tweeprise
You know, if you want me to be happy and full of “Joy” that is. Speaking of, this tune actually is starting to have something for everybody. I noticed during the Shoreline performance that it covers every angle of the Phish experience and often builds to a face melting peak these days. It is my song too… if only for a few seconds. “You Enjoy Myself” brings the set to a close with some time-bending crunchiness a “Groove is in the Heart” dalliance and a largely plaintive vocal jam that is representative of the overall average-great vibe of the show.
I love “Bug” and think it is a great encore. The lyrics are deep if you let them take you there. It pays musical homage to The Velvet Underground and The Marshall Tucker Band simultaneously. It places value on experiences rather than material possessions. It reminds us each and every time it is played that the opinions we have as individuals especially when striving to give a critical assessment of the band’s performance on a given night is just one opinion… and whether we overrate or underrate the music… it just doesn’t matter. What would you rather be doing??? You’re next, Blossom… go get high in the middle and round on both ends!
Photo by Rene Huemer © Phish From the Road
Phish Summer 2015 – Setlists & Recaps
07/21/15 Setlist – Recap – Bend 1
07/22/15 Setlist – Recap – Bend 2
07/24/15 Setlist – Recap, Recap2 – Shoreline
07/25/15 Setlist – Recap – LA Forum
07/28/15 Setlist – Recap – Austin
07/29/15 Setlist – Recap – Grand Prarie
07/31/15 Setlist – Recap – Atlanta 1
08/01/15 Setlist – Recap – Atlanta 2
08/02/15 Setlist – Recap – Tuscaloosa
08/04/15 Setlist – Recap – Nashville
08/05/15 Setlist – Recap – Kansas City
08/07/15 Setlist – Recap – Blossom
08/08/15 Setlist – Recap – Alpine 1
08/09/15 Setlist – Recap – Apline 2
08/11/15 Setlist – Recap – Mann 1
08/12/15 Setlist – Recap – Mann 2
08/14/15 Setlist – Recap – Raleigh
08/15/15 Setlist – Recap – Merriweather 1
08/16/15 Setlist – Recap – Merriweather 2
08/21/15 Setlist – Recap – Magnaball 1
08/22/15 Setlist – Recap – Magnaball 2
08/23/15 Setlist – Recap – Magnaball 3
09/04/15 Setlist – Recap – Dick's 1
09/05/15 Setlist – Recap – Dick's 2
09/06/15 Setlist – Recap – Dick's 3
Kansas City LE poster by @GREGMIKE. Edition of 675.
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@metawhy there is nothing at all wrong with somebody getting excited about "The Wedge"...maybe just don't get all jacked up dancing and singing in my face next time and I won't call you out about humping my leg while your kid watches...it was kind of awkward is all.
And let's hear a little more about this Disease!
As for the 'entire' second set. It's cool to be a fan and all, and this is all subjective, but again, not much fodder for the good Doctor.
Personally, I've never had to Jibboo - although I do applaud the placement. I'm a little bored of The Wedge in this spot; it has peaked - let's move on. Joy killed? I'm happy for you (and I'm not being sarcastic - that's great) but surely the Sand - again.... - didn't.
He penned a TON!
What more do you want? 'The energy and buoyant sense ramp up....'; 'The band makes a breathtaking, powerful statement....' It was yet another set II Disease.
I've heard a number of spots where the band teeters towards WTU? and No Quarter; personally, I'd prefer the former.
1. Architect
2. Show of Life
3. Scent of a Mule (Second Set)
4. Boogie On.... (Sorry: It's not 97)
5. Joy (People, don't crush ME - I know Trey likes it; this is only about getting foolish)
6. Sing Monica
7. Piano Duet
8. Weigh
9. Vacuum Solo
10. Wombat
I often (strangely) look forward to listening to the shows that get poor reviews. I find that I always thoroughly enjoy them anyway (like Austin). We are so lucky that we get to hear a band that plays so well, so consistently that even their "bad" shows are pretty f-ing sweet. I think it is difficult to find much to be critical about when I go to a Phish show. But for me, I can only complain about 2 things and only one of them has anything to do with the music. First, The Last Step... so many good Mike songs but I can't say this one did much for me. The second thing is that I wish they would use the video monitors at a venue like Starlight. I really enjoy getting those great views of excellent musicians performing their craft. Unfortunately only half of the people (at best) in the venue get a very good view. I think the video monitors provide a significant upgrade to the experience for so many people.
But man, I sure had a great time last night!
Thanks for all your commentary above. Especially your list...that's some funny shit!
But every tour has ups and downs, it's the nature of the jam-band game. It's funny as I hear myself criticize them for repeats when most bands play the same damn set every single night of tour. Yet that's where we are, nonetheless.
Waiting All Night needs to be shelved for awhile at this point or it's going to be vilified like Possum two years ago.
I'm a little frustrated, considering the sheer depth of their catalog, that there are any songs, other than Disease and some other stalwarts, which would have been played more than three times this early in the tour. Let's shake it up boys!
Still, I daresay I sound like a spoiled child.
You're the kind of guy I want to be watching a show with. You're funny as shit and spot-on with your commentary.
I'd tell you not to let the naysayers get to you but you already know the drill.
I'm also seconding the call for less repeats. Only problem of this tour so far.
Why yes, when you put it that way, I do indeed! And that goes for a good many songs.
Generally I like your recap style, but in this one the ligaments of your metaphors seem a tad over-stretched. Still, I appreciate the entire team's recap efforts.
You can always pay a high-priced hooker to piss in your ears if you prefer. I'll take the @Doctor_Smarty reviews and dud midweek Phish shows, thank you.
I feel like this is a really well rounded show. The Divided/Last Step/Blaze On sequence in particular made me feel alive. Jibboo through Twist seemed like a love letter to 1999, with all songs I tend to associate with that year for one reason or another.
I'd place a few bucks on Mercury coming back radically reworked. There's some great ideas in it, you can tell Trey is excited about it, but seems like it needs some alterations before it clicks.
I'm fine with the band overplaying everything they're overplaying. New songs that they are really into are always going to get played to death. There are a lot of Phish songs which still receive a measure of antipathy that is based in the time when those songs were new. Likewise, there are a lot of Phish songs that people ruin for themselves by basing their expectations on a few jammed out versions from 97-04. Then when Roses doesn't have that 4th or 5th jam ever, it's a bummer. I've always found it more fun to fantasize about jams coming from songs and places of songs they haven't come from yet.
I'd rather wish for the first 555 Jam than the first Halley's Comet jam since Bethel 2011.
Absolutely want to see Bouncin's gooey entrails. As far as songs that have never had a jam, I don't think any have as perfect of a place to leave the structure of the song. Either let Trey play the solo and then jam out of the last few measures, or jam out before the solo and let the jam start with the lyrics still ringing out ala Stash. Either way, you're immediately in Oompa Loompa space reminiscent of the 9/17/00 Theme-> Dog Log segue.
As far as the older songs they're playing a lot, they're giving good reasons for that every time they play them. Maybe there aren't a ton of familiar faces in the audience every night so they're more comfortable reaching for a "Birds" or "Wedge". All the songs they're playing a ton that are "Waiting All Night" or older seem to really be inspring the band right now, just not in a way that makes them want to go Type II with it.
I just think this is a great tour. There's a lot of improvisation going on, and on top of that Trey's playing great and that's making the band happy and it's making the non-jam stuff feel really great too.
I'm fine with the band overplaying everything they're overplaying.
I'm not. Not when you have approximately 8,115 songs to choose from and your historical MO is originality and experimentation.
Hey Dr. Smarty, you see too many shows. Since when is a well-executed setlist full of energy and musicianship average and boring?
Take a step back and listen. Sorry you have seen too many shows to the point where Phish is boring to you now unless they are rocketing you through the stratosphere.
Lame.
Also, I've been listening to to hy be music since before it was cool.
All objectivity is lost and real criticism suffers a death when we fluff everything indiscriminately.
The real highs won't be so high if people continue to distort reality by calling all shows beyond reproach. Like a fascist state on this site occasionally. I know if you reviewed Atlanta 1 it would be glowing.
After a few relistens I just have to say how strong I think Jibboo, Twist, Wedge, DWD and Sand are as a second set. I think I've enjoyed listening to those tracks more than most other sets this tour. Don't let the length of the tracks fool you into thinking they lack quality. Twist, Wedge and Sand are perhaps short-Ish versions, but man are they smoking! High energy, tight, powerful, intricate and beautiful jams. I've already said it elsewhere but I'm gaga over the jam in Sand - outrageously good. I agree - more of THAT!!
This show seems destined to be underrated and ignored in favor of 7/31 and other fine sets of music scattered around this tour. But don't sleep on this second set or you'll be missing out on some really quality stuff.
You know what I find lame?
Someone crawling out of the woodwork only twice on Phish.net. Not to offer thoughtful commentary. Not to offer their own take on a show. Not to do a song review. Not to leave comments on ANYTHING here: venues, blog posts, news, shows, albums, song histories: Nothing other than twice bashing a show review with petulant and immature attacks.
Why not return when you have something constructive to add?
If you would prefer I lie to you...tell me what you want me to whisper in your ear as we spoon on the grass with our shirts off at Magnaball during "Brian and Robert" or maybe to bring it full circle "Let Me Lie"...what do you say?
I still had a blast and would not have wanted to be anywhere else.
I am against skipping the bad to get to the good in all its forms. The bad is what allows the good to be appreciated to its fullest. I have a greater appreciation for the mountain tops I visit because I have stood in chest deep 35 degree water with a pH of 12 holding a magnetometer over my head so it wouldn't get wet and be rendered useless.
Not intentional, but it is funny.
You know what's not funny? Veiled homophobia disguised as an "humorous" insult.
"If you would prefer I lie to you...tell me what you want me to whisper in your ear as we spoon on the grass with our shirts off at Magnaball during "Brian and Robert" or maybe to bring it full circle "Let Me Lie"...what do you say?"
MY opinion is that you come off as an snarky, entitled, asshat.
I'll bet you are really fun to hang out with.
But that's just like, my opinion, man.
1. I'm not really sure @Doctor_Smarty was going for veiled homophobia there, although I imagine that's always something that can be debated if it's not actual full-fledged homophobia.
2. I enjoy Mr. Smarty's reviews, mainly because a) I'm an English major and a garrulous writer by heart, and b) because he recaps in a manner different from the more straight-ahead recaps of the @pzerbo's of the world. Variety is the spice of life and such.
3. Writing recaps and reviews, even the little scribblings I contribute now and again, is always a hard thing because of the diverseness of Phish's fanbase. Obviously I would *prefer* if everyone agreed with me, especially w/r/t 3.0 ( :p ), but even I would grant that that would get pretty boring after a while, and it's always interesting to see the rich pageant of opinions that crop up regarding this show or that show or this jam or that jam. It's a fact of life that you are going to prefer (x) to (y). There are ways to write about that without hurting feelings, or without simply saying "x is better than y, and you're a drunken chimpanzee if you feel otherwise", but personal preference is really what makes this fanbase go round.
4. EVERYONE should write more reviews. Contribute to the website! It's here for all of us!
5. How do people keep ignoring that Phish played their new material a ton in EVERY tour? And as far as the bustouts and shorter rotations go - I get that plenty of people enjoyed the "200 song" Summer 2012 first sets, but really, once you've gotten past the giddyness of them busting out Llama or Forbin's > Mockingbird or what have you (and I'd like to hear those too, for the record), does it really enhance your experience *that* much when all is said and done? Is it really terrible if you got a killer jam out of a Tweezer instead of, say, something as rarely played as Lifeboy? Or, hell, even more commonly played songs like Fee or The Mango Song? I love the largeness of their catalog, but it doesn't kill me that they don't explore every inch of it.
Or, to put it another way, are you really pushing for a 1992-like 12-song second set just because one of those 12 songs might be Glide?
Yes, it does. I know I'm a minority in the fanbase, but I have very little interest in 20 minute + jams, no matter what the song is. What I want to hear is the band's written compositions and songs played really well. I've had two experiences with a bustout at a show I've seen:
Pebbles & Marbles 8/7/09 The Gorge
Scents and Subtle Sounds 9/2/11 Dick's
Those are two of my very favorite Phish songs and both of those versions were rusty as all hell. They've never been setlist regulars so when they did bust them out in a period where they weren't the "practice 8 hours a day" Phish of the early 90's, it was painfully obvious.
Is it really terrible if you got a killer jam out of a Tweezer instead of, say, something as rarely played as Lifeboy? Or, hell, even more commonly played songs like Fee or The Mango Song?
Not a great comparison, I'd say. Tweezer is a setlist regular and it's expected that there will be a jam. Lifeboy, The Mango Song (two more in my Phish Top 20) and Fee with a few exceptions aren't jam songs, they're played pretty much straight-up. Again, I'd rather hear the two songs above and the three just mentioned than a boring 24 minute version of Rock and Roll that I heard at the 8/15/12 Long Beach show. It was hilarious to hear people after the show and later online be all "OMG! A 24-minute R&R, awesome!". The fact that the jam went nowhere, almost ended completely after about 13 minutes but then noodled on for another 10 doesn't seem to matter.
I guess that's where we differ then. I don't think the act of playing a wider variety of songs is inherently creative. And the vast majority of songs they aren't playing are ones they've never gotten particularly creative with. They aren't playing the 3 songs I want to see the most on any given night, Timber, Taste, Vultures.
Trey clearly put a ton of time into GD50. If that lead to a decision to keep the pool of songs smaller and focus on songs that they really want to play a lot. That's fine. And the big reason it's fine with me is because the improv isn't suffering. It's thriving. Interestingly enough, the only other time I've personally felt the improvisation was flourishing like this in 3.0 is when Phish went the other direction and did 200 different songs Summer Tour 2012. There's no right answer.
I'll gladly see Birds three times instead of Timber, Taste, and Vultures if the trade off is that the time Trey didn't spend brushing up on rarer Phish songs was spent generally getting more awesome at guitar.
The love you take is equal to the love you make...and you aren't making any around here.
Nothing worse than people trying to come off as clever to suit their own smugness.
Hug it out, bro?
"I love the largeness of their catalog, but it doesn't kill me that they don't explore every inch of it."
Well, it bothers me. I just lived through 20 years of Lesh and Weir playing all the songs that the Dead never bothered to play from 77-95 and I found myself often asking "why?" Would it have been so hard for Jerry and Co. to play them when he was still with us? It would've meant a lot to me in retrospect. As much as I appreciated Phil reviving Viola Lee Blues, I would've really loved to have a recording of Jerry playing it with him in '92.
They can't explore the whole catalogue in 25 shows, granted, but they don't need to play Twist in the cleanup role every other show, either.
Heard the same "it's okay if the song pool is smaller as long as it's good" argument in 2013 and it didn't sit well with me then either. Nor am I looking for 12 song 2nd sets. I just want variety. It's what I wanted in the Dead and what I want with Phish.
I have no problem with a core group of 20-30 songs in a heavy rotation, but the others should be generously sprinkled in to mix things up and keep things fresh. There's no excuse not to other than poor preparation, in my opinion.
I didn't watch tonight's webcast, but it appears they had an ear to our proverbial wall tonight!
https://www.youtube.com/watch?v=Y6EiIdy8xVU
Gotta Jibboo was a great second set opener. We got a fun YEM, and then one of my favorite sad / happy songs Bug wrapped it all up. Somewhere in there we had a 20 minute DWD that had a bunch of fun teases.
If that all doesn't make you happy, what will?
For the record, Starlight also got a ballad of Curtis Lowe in 2012.
Right on, I feel you. Just feel a bit different, I'm sure it being a hometown show helps those feelings.